Showreel 2015

Feature films

Avengers: Age of Ulton (Trixter): compositing and prep, creation of motion graphics for the holograms.
Pixels (Trixter): compositing of CG elements and comp look dev of Mario character.
The Expendables 3 (Worldwide FX): deep compositing of 3D elements, set extension, tracking, keying and cleanup; look dev for the heat/night visor and hud; tracking and compositing of 2D and 3D elements; face replacement using 3D model with projected animated textures.
After Earth (Pixomondo): sequence compositing and keying of foreground and background people, gizmo creation (to create custom zdepth and shadows passess using the default Nuke scanline render)
Only Lovers Left Alive (Pixomondo): dead man replace through 1300 frames using projection techniques; sequence compositing with screen replacements in various devices.
One thousand and one nights (Toboga): sequences compositing, tracking, keying and cleanup.

TV Series

Constantine (Important Looking Pirates) 00:40 smoke compositing and tracking from 2D elements, CG heads integration; bugs and swarm compositing and integration adding warping and shadows on the skin.
Lorenzo negli Stadi: Introduction (iMasterArt): 01:26 VFX supervisor from the bidding to the final product, coordinating a team of artists. Compositing look dev and 3D modeling and animation.

Commercials

Vision Express (Fieldtrip): opening shot compositing, look development, modelling and camera animation, created using multiple footages projected on geometry.
Bet365 (Absolute Post): backgrounds compositing and hologram head look development and animation through 3D and 2D processes.
Direct Line (Fieldtrip): sequences compositing through tracking, cleanup and CG integration; inside chimney look development; headphones modeling, texturing, rendering and compositing.
Check24 (Trixter): compositing and keying of multiple footages made with motion controls.
Mercedes Benz Assist (Pixomondo): 2D and 3D supervision, modeling, shading and compositing.
BMW 5 Series (Pixomondo): camera animations and cars rig, to use in the pipeline for automated render of all the versions of the cars.
The Land of Plenti (Fieldtrip): tracking and compositing various footages shot with motion control in slow motion, with the addition of 3D elements.
Gillette FC (Rumblefish): compositing, keying, rotoscoping, tracking and cleanup; modeling, texturing, shading and rig of various stadium elements.
Signal (Toboga): rotoscoping and keying.
Go Ahead (Fieldtrip): packaging replacement using 2D techniques.
Smyths (Unit Media): compositing, tracking and sky replacement.
Mr Green (Smoke & Mirrors): tracking and cleanup setup for the footages done with motion control.
Bubbles (Virtual Reality & Multi Media Park): lead 2D and 3D artist, dynamics and compositing.
Canary Wharf (Escape Studios): foreground modeling, texturing, shading and lighting using Atomkraft, Mari and Nuke; background done by camera projection; compositing and grading.

Music Video

Something Really Bad (Partizan): compositing of the elements that were projected on set. On set VFX assistance and advisor; compositor in the post production process.

Motion Graphics

Around (PoliMi): motion graphics animations setup and opening scene look dev.

Music: Rocket From The Crypt – Bring Us Bullets

Programs used: Maya, Mudbox, MatchMover, PFTrack, Nuke, Mari, Atomkraft, Photoshop, UVLayout, Mocha, After Effects, Premiere Pro

 
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